http://whotohate.com/own-colors/
Own Colors
I can mix the tattoo ink to mix my own colors? or do I have to start from scratch?
I know that You Can mix the primary colors and secondary colors and vary the mix to get Different Colors, but the real question is will the mixture of mixed colors stay in the skin or be separated?
No, the real question is why somoeone clearly knows nothing about what they are doing anything referred to tattoo on someone without proper training and supervision. Do not give advice to a scratch.
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How the artist uses color
Color is emotional counterpoint to the intellectual qualities of the drawing, and is one of the most important elements of design. While the paintings and drawings can be very effective without color, use of color adds a whole new dimension to the piece. Without color, the artist is a painter, draftsman, but.
Although color theory can be complex, the practical application is what matters, and in this article I present a simple philosophy the effective use of color and color harmony in a composition. But first an understanding of the fundamentals of color theory is necessary because I think there is progress worth can arise from ignorance of basic principles:
1. Buy the wheel of an artist of color, or make Your Own. This is an essential element for any artist. Be familiar with the primary colors: red, blue and yellow, how are mixed to make secondary colors and how the secondary color mixing for tertiary colors.
2. "Tone" is simply the name of a color, for example, red, blue, orange, are "colors." "Intensity" is the purity of a color. "Value" is the lightness or darkness of a color. "Temperature" is the warmth or coolness of a color, which can also be affected by the surrounding colors. A "key" color is the dominant color in a color scheme. "Palette" has two meanings for the artist: first Instead, it refers to the surface where paints are mixed before being applied to the canvas, secondly, it refers to the range of colors that the artist has chosen for his painting. In this article I will use the ultimate sense.
3. Make sure you understand the relationship between complimentary colors (colors directly opposite each other on a color wheel) such as red and green, blue and orange, red and violet. Mixed together, create valuable gray that can help unify a color scheme. But be careful about the inclusion of complementary colors in their work: they can compete with each other unless one is more abundant than the other, or one is gray a little to reduce intensity. And if you want to increase the intensity of color, surround sound with its complement, or gray. In my painting, "The Triumph of Mars," found on my site site, you can see how gray is used to increase the impact of red and yellow.
4. Black, white and gray are not colors – in fact, represent the absence of color. Any color mixed with white is a "dye" any color mixed with black is a "shadow" of any color mixed with gray is a "tone."
5. The standard color schemes are analogous, triadic, tetradic, complementary, split complementary, monochromatic:
a. Analog – Three or more colors side by side on the color wheel.
b. Triad – three colors equidistant on the color wheel forming a triangle.
c. Tetradic – Four colors equidistant on the color wheel, forming a square.
d. Complementary – two colors directly opposite each other on the color wheel, as red and green, and any neutral gray made from mixing the two.
e. Split complementary – three colors, two of which are the colors next to the complementary color of the third.
f. Monochrome – A color scheme consists of a single color, plus black and white.
Do not worry about adhering to these formal color schemes very closely, including of neutrals and their own color preferences ultimately play a more dominant role in shaping use of color. Its main purpose is to introduce the artist color relationships and how these relationships create harmonious color scheme.
Finally, remember that warm colors and cool colors advance back. For example, in a landscape that could use the warm earth tones in the foreground to make it appear closer to the viewer, while in the background is used cooler colors like blues and greens to create a sense of recession and distance.
Completing a brief review of color theory base. Now I will discuss the effective use of color in a composition, and how to harmonize the colors in the composition. To create harmonious color scheme of a Paint colors should be to hot, cold and neutral, with a predominant group. The use of neutral colors like gray made of complementary colors or earth tones, are key to using the great painters of color succeed in their compositions. Grises help unify a color scheme tying together the warm and cool colors. The works of two of my favorite artist, Edward Hopper and El Greco, are magnificent examples of the use of neutral gray balance and enrich a combination of colors. Black and white can also serve as neutral in this context.
To determine the color scheme of a painting, first analyze the issue before. If you look carefully, see that there is a dominant color in the scene. This is known as the "key" color, and this will be a good choice for the "key" color in composition as well. Once you have determined the color, the easier it is to set the other colors in Your Color scheme in relation to it.
One of the most important principles of color harmony is to keep your color palette to a minimum – not the number of colors used, is how well they use a number limited colors. The greater the number of colors used, the harder it is to maintain control over them.
Once you have chosen your paint palette, try to mix all the colors with this limited number – to avoid the temptation to add more colors. This is another way to achieve harmony in the color scheme. For example, try mixing your black, brown and gray with some of the colors that blend with the greens, blues and oranges.
When the mixture of colors, use at least you mix colors – three or four at most, or the result may be cloudy. To maintain the freshness of the colors, avoid over mixing his paints, and apply to the web with minimum strokes. The use of the blank should also be approached with caution, but can easily turn a murky mix of colors. Remember that not always is a good idea to lighten a color with white, dark or black color. Other colors can be used for these purposes, a lighter color such as yellow ocher can lighten a green, and ultramarine blue can be darkened.
If the subject is painted of life, remember that the colors of nature are only a guide, paint is a separate matter – that has a life. All that matters is that the use of color in his painting is effective. Of course, you should choose colors that help express mood and atmosphere of the subject; not choose bright colors of a changing landscape impressionists.
The foundations of the theory of apply color to any medium, however, some media such as pastels and colored pencils lend themselves well to the mixture of complementary colors create neutral grays. In these dry environments, the colors can not be directly as with painting, but it will take to mix colors visually by using hatching scumbling dotted or techniques. May also have to use a greater number of colors to compensate for this limitation.
In some media, such as oil or acrylic colors, different attributes: some colors can be transparent, semi-transparent or opaque. These qualities affect the way in which Colors can be used, for example, the transparent colors are best used for opaque colored glazes, but will not provide transparent colors adequate coverage to hide an underlying color.
All paint, as it dries, color or intensity changes to a certain point, or "sinks." Acrylic appears to be a of the biggest offenders in this respect, the oil seems to be the most resistant to this. This does not mean that half is better than another, each medium has its strengths and weaknesses and should be used accordingly. However, I found it more difficult to maintain harmony of colors in acrylic on oil, the colors change very often significantly when dry.
A final word on the color, as with any aspect of art, there is no better way to study the use of color to learn from the masters. Study the works of the artists whose work you admire, see how to use color. The works of Vincent Van Gogh, Claude Monet, Edward Hopper, Henri Matisse, El Greco and I have always been impressed with rich and sophisticated use of color.
If the drawing is the skeleton of a painting, color is the flesh. Color is the essence of the painter, and its application gives life to artist's concept. As you gain experience you instinctively turn to get more "color sense" and develop their own preferences. Equipped with a solid base in color theory and a study of the works of great artists ", when it is mixed with the knowledge understanding to create your own personal philosophy color.
About the Author
Charles Griffith’s interest in art began in childhood, and was encouraged by his family. Later, while serving in the U.S. military in Europe, he was inspired by seeing firsthand some of the treasures of European art. Today his art focuses on traditional realism, often with elements of Expressionism and Surrealism.
